Hospital de campo

Artistic info

Dramaturgy and direction: Sofía Asencio and Tomàs Aragay

Collaboration with conceptualization: Migue Martínez

Artistic collaboration: Chico Simões (Cia. Mamulengo Presepada)

Creation and performance: Héctor Arnau, Júlia Barbany, Beatriz Lobo, Victor Colmenero i Sofia Asencio

Advice on the creation of puppets: Linda Vitolo

Scenic space and lighting: Víctor colmenero

Technical coordination: Celina Chavat

Sound space and music: Pol Clusella and Sala Combo with Laura Frade and Nicolás Barreto

Dressing design: Jorge Dutor

International Development: Alessandra Simeone

Production: Imma Bové

Spectacle coproduced by: Sala La Mutant, El canal, centre de creació d’Arts Escèniques de Salt-Girona, IF Barcelona, Casa Encendida

With the participation of: El Consulad

Five bodies: patients, guards, doctors, specialists, nurses, containers, dead people, actors and puppets. In a non-waiting room, in a non-doctor's office, in a non-operating room of a non-field hospital. This hospital is not just any hospital, where modern medicine is practices. Here the illness is a kind of “gift”. That which allows you to start the path of healing. We are all sick, and we are not going to stop being so after visiting Hospital de Campo. The illness that we carry is what invites us to pay attention to the way in which the unfolding of the world has become flesh in us.

Images by Joanot Cortés for Canal de Salt

Five bodies: patients, guards, doctors, specialists, nurses, containers, dead people, actors and puppets. In a non-waiting room, in a non-doctor's office, in a non-operating room of a non-field hospital. This hospital is not just any hospital, where modern medicine is practices. Here the illness is a kind of “gift”. That which allows you to start the path of healing. We are all sick, and we are not going to stop being so after visiting Hospital de Campo. The illness that we carry is what invites us to pay attention to the way in which the unfolding of the world has become flesh in us.

Societat Doctor Alonso receives grants from ICEC, Institut Català de les Empreses Culturals, IBERESCENA and
INAEM, Instituto Nacional de las Artes Escénicas