Andrei Rublev, una paniconografia

Artistic info

Direction: Tomàs Aragay

Dramaturgy: Sofía Asencio i Tomàs Aragay

Creation and interpretation: Sofia Asencio i Nazario Díaz

Scenic space and lighting: CUBE. SZ

Production: Imma Bové

Communication and distribution: Sara Serrano i Tomàs Aragay

Spectacle coproduced by: Temporada Alta, Festival Alt de Vigo, Fundació Catalunya La Pedrera

With the participation of: La Caldera centre de creació

This work wants to generate a repertoire of iconographies of the human body, and at the same time to work with the sound and the scenery like symbols of the scenery. Andrei Rublev takes as a starting point and a title the movie of Andrei Tarkovsky rolled in 1966, where the icon's painter Andrei Rublev (1360 - 1427) realizes a long trip in medieval Russia to paint the fresh air of the cathedral of the Asunción of the Kremlin. The work of the singular painter, with its only iconographic style, provokes in the spectator an impact and interior withdrawal due to the use of the inverted perspective, which speaks to us about the art not like a portrait of the reality but like a reality between the realities.

Teaser Andrei Rublev, una paniconografia 

Andrei Rublev (radio version) made by Virginia García del Pino

This work wants to generate a repertoire of iconographies of the human body, and at the same time to work with the sound and the scenery like symbols of the scenery. Andrei Rublev takes as a starting point and a title the movie of Andrei Tarkovsky rolled in 1966, where the icon's painter Andrei Rublev (1360 - 1427) realizes a long trip in medieval Russia to paint the fresh air of the cathedral of the Asunción of the Kremlin. The work of the singular painter, with its only iconographic style, provokes in the spectator an impact and interior withdrawal due to the use of the inverted perspective, which speaks to us about the art not like a portrait of the reality but like a reality between the realities.

Teaser Andrei Rublev, una paniconografia 

Andrei Rublev (radio version) made by Virginia García del Pino

Societat Doctor Alonso receives grants from ICEC and the INAEM